作　者：宋剑华
关键词：广场形态；苏区文艺；大众化；规范性
摘　要：

苏区文艺的表现特征，就是大众化与规范性。它虽然是以工农大众为创作主体和受众群体，但却不同于巴黎街头那种无序化的市民狂欢，而是始终都在中国共产党的直接领导下，是有组织和规范化的群众性娱乐活动。以广场为空间舞台的苏区文艺，其大众化与规范性的表现形态，充分体现了革命文艺自由与限度的辩证统一：大众化可以确保工农大众的主体参与性，规范性则可以确保苏区文艺的正确导向性。正是由于大众化与规范性的双重作用，苏区文艺才会狂而不乱、欢而有序，并通过寓教于乐的思想启蒙，唤醒了千百万工农大众的革命意识，使他们完成了从农民到战士的身份转换，最终成为土地革命战争的绝对主力军。

 

The Form of Square: The Popularization and Standardization Of Literature and Art in the Soviet Areas

Song Jianhua（Jinan University）

Abstract The defining characteristics of the expression of literature and art in the Soviet Areas are "popularization" and "standardization". Although they were created by and targeted at workers and peasants, they differed from the chaotic, unregulated revelry of Parisian street celebrations, Instead, they were constantly organized and standardized mass recreational activities under the direct leadership of the Communist Party of China. The manifestation of "popularization" and "standardization" of the literature and art of the Soviet Areas, which were performed in open spaces like squares, fully embodied the dialectical unity of "freedom" and "moderation" in revolutionary literature and art: "popularization" ensured the active participation of the workers and peasants, while "standardization" ensured the correct orientation of the literature and art in the Soviet Areas. It was precisely due to the dual effect of "popularization" and "standardization" that the literature and art of the Soviet Areas could be "passionate" but not excessive, "festive" but not unordered. Through ideological enlightenment of "edutainment", they awakened the revolutionary consciousness of millions of workers and peasants, who were transformed from "peasants" to "fighters", the absolute main force in the Agrarian Revolutionary War.

Key words the form of the square; the literature and art of the Soviet District; popularization; normativity

 

■    作者简介  宋剑华，暨南大学文学院教授，广东 广州 510632。

 

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